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keira | 19 | glasgow

"be soft. do not let the world make you hard. do not let the pain make you hate. do not let the bitterness steal your sweetness"

bienenkiste:

"Bonheur". Photographed by Harley Weir for CR Fashion Book F/W 2014

bienenkiste:

"Bonheur". Photographed by Harley Weir for CR Fashion Book F/W 2014

coveredinsnow-:

ilovemaydayparade69:

rubee:

"why dont you just give him a chance"

idk because im not physically or mentally attracted to him and ‘but he likes you’ or ‘but hes really nice’ isnt going to change the fact that im not interested

Damn, I don’t think women know how much that really hurts

image

jewist:

"When I leave this world, I ain’t owing nobody nothing."
Orange Is the New Black Jenji Kohan

jewist:

"When I leave this world, I ain’t owing nobody nothing."

Orange Is the New Black 
Jenji Kohan

itinsightus:

Descent to Rivendell by efossati

itinsightus:

Descent to Rivendell by efossati

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).